

The Speedmaster Dark Side of the Moon Apollo 8 However, it is an earlier mission to which the watchmaker alludes in its new Speedmaster. The Dark Side of the Moon Apollo 8 references the first manned spaceflight mission to the Moon that saw three astronauts — Commander Frank Borman, Command Module Pilot Jim Lovell, and Lunar Module Pilot William Anders — live broadcast their entrance into lunar orbit on Christmas Eve in 1968. “We’ll see you on the other side,” said Lovell just before the crew’s pioneering orbit to the dark side of the Moon that would see radio communications cut off for a nerve-wracking 34 minutes. Omega immortalises the sanguine sentence by engraving it onto the black ceramic exhibition caseback of the Dark Side of the Moon Apollo 8. Within the sapphire crystal pane, a movement of extraordinary detailing thrums — the Calibre 1861 was resuscitated as the Calibre 1869 in tribute to the first Moon landing. It is blackened and intricately decorated with laser ablations applied onto the bridges and main plate to realistically reconstruct known lunar imagery right down to the uneven surfaces. To authentically carry through the illustration, the front and back are outfitted in different shades: the former lighter to represent our view of the Moon’s surface from Earth while the latter, from behind the exhibition pane, waxes a deeper hue to signify the dark side only astronauts get to see. The rest of the timepiece radiates out from the movement with the same spirit of purpose. The entire 44.25mm watch is forged from black zirconium oxide ceramic with yellow colour coding for contrast, a throwback to the ethos of a 1968 Speedmaster Racing model that instigated the association of the colour with speed. Chronograph hands are varnished yellow while the tachymeter scale and crown are filled with Super-LumiNova for quick readability. Extending from either end of the case are leather straps that uphold the chosen scheme, the black leather enveloping a section of yellow rubber in its middle. A milling tool was used to create micro-perforations through the constructed strap to reveal hints of yellow within, the colour further endorsed with contrast stitching. Such ventures authentically connect us to times and places beyond our grasp, linking us to the mysterious hemispheres or landscapes few among us will ever truly know. Many of us will never have the chance to put these pieces to the test in the conditions they were constructed to withstand but we wear on our wrists the hope of such a possibility and the assurance that should such circumstances arise, we will not be found wanting.
Petrina Fernandez is a senior writer with The Edge Malaysia.